Raag Gauree
Commentary

Raag Gauree, Du-Padas, Mehl 5 (Guru Arjan)

Hands, tongue, feet, eyes, ears — the whole body enlisted in devotion, so that this rare human life is carried safely home.

The Arc

This shabad is a catalogue of embodied devotion, limb by limb. Pauri 0: hands do good work, tongue sings, feet walk the path. The Rahao (Pauri 1): any moment of remembrance is a good moment, and the Name ferries the soul across the frightening world-ocean. Pauri 2: with the eyes, behold the good, and let the true One be written into the mind. Pauri 3: with the ears, listen to shared song, and the dread of change departs. Pauri 4: hold the beautiful presence in the heart, and this rare life is redeemed.

Key Vocabulary

  • tahal: service, good work done with the hands
  • baree-aa: the right moment / turn — every moment of remembrance is a good one
  • bhai paar utree-aa: crossing over the fearful world-ocean (bhavjal)
  • darsan paykh: beholding the vision of the good with the eyes
  • dulabh dayh nistaar: the rare human life, redeemed / carried across

Themes and Cross-Connections

The whole-body catalogue is a distinctive Gurbani form; here it makes devotion concrete and un-abstract for a child — every limb has a part. The 'rare human life' close ties directly back to B00C356 (dulabh dayh). The world-ocean crossing (Rahao) recurs in B00C370 (agan saagar paar utaaray) and echoes B00C245's bhavjal.

For Raag Gauree

Gauree's grounded steadiness suits a shabad that keeps devotion in the body and the ordinary day rather than in abstraction.


Last updated: 2026

Read this shabad →
← Back to Raag Gauree