Sikhism·Raag Aasaa·Shabad 267
Verse 3 of 8

Like Shadows at Dusk, the World's Glitter Goes

ਕਹਾਂ ਸੁ ਘਰ ਦਰ ਮੰਡਪ ਮਹਲਾ ਕਹਾ ਸੁ ਬੰਕ ਸਰਾਈ ॥
kahaaN so ghar dar mandap mehlaa kahaa so bank saraa-ee.
Where are the houses, the gates, the hotels and palaces? Where are those beautiful way-stations?
ਕਹਾਂ ਸੁ ਸੇਜ ਸੁਖਾਲੀ ਕਾਮਣਿ ਜਿਸੁ ਵੇਖਿ ਨੀਦ ਨ ਪਾਈ ॥
kahaaN so sayj sukhaalee kaaman jis vaykh need na paa-ee.
Where are those beautiful women, reclining on their beds, whose beauty would not allow one to sleep?
ਕਹਾ ਸੁ ਪਾਨ ਤੰਬੋਲੀ ਹਰਮਾ ਹੋਈਆ ਛਾਈ ਮਾਈ ॥੨॥
kahaa so paan tambolee harmaa ho-ee-aa chhaa-ee maa-ee. ||2||
Where are those betel leaves, their sellers, and the haremees? They have vanished like shadows. ||2||

Translation by Dr. Sant Singh Khalsa

In plain words

Where are the houses, the gates, the inns and the palaces — those beautiful way-stations for travelers?

Where are the lovely women resting on their beds, whose beauty kept sleep away?

Where are the betel leaves, and their sellers, and the women of the court? Vanished — gone like shadows.

Like shadows at dusk — that is how the world's glitter goes.
The deeper layer

The inventory continues from the military to the civic and the intimate: architecture, hospitality, luxury, desire — the whole sensory city. The closing simile does the hymn's work in three words: gone like shadows. A shadow is perfectly visible and weighs nothing; it was never a thing, only the shape light made for a while. So too the city's glitter: real to the eye, empty in the hand. This is Sach taught by demolition — the difference between what appears and what endures, shown rather than argued.

A Question to Sit With

What around you is solid, and what is really just a shadow that looks solid?

Translation by Dr. Sant Singh Khalsa·How we use AI

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