The opening shabad of Kirtan Sohila: sing the praises of the Fearless One, for the call home comes to every heart — and death, seen rightly, is a wedding day.
The Arc
Pauri 0 names the gathered Sangat as the true home — where praises are sung, join in and remember. The Rahao (Pauri 1) calls for singing the Fearless One, giving the self to the song that brings unending peace. Pauri 2 praises the Great Giver who cares for every being daily, with gifts beyond price. Pauri 3 reframes death as a wedding whose date is already set, asking friends for blessings. Pauri 4 closes with the summons going out to every home and heart, a little nearer each day — so remember the One who calls.
Key Vocabulary
Kirtan Sohila: the prayer sung at bedtime and at the close of a life; this is its first shabad
nirbhau: the Fearless One; singing the Fearless makes the singer fearless too
daataa: the Great Giver whose daily care and priceless gifts point past themselves
the wedding / the summons: death reframed as the soul-bride's marriage and homecoming
Themes and Cross-Connections
This shabad gathers the project's central notes for the moment of death: Sat Sangat as home, Bhau (the Fearless One whose song frees from all fear), the Giver, and the soul-bride whose 'wedding' is union with the Beloved. The oil poured over the threshold is wedding language in the verse, here marking the soul's departure as a marriage, not a tragedy — the heart of the project's gentle reframing of death.
For Raag Gauree
Recorded on Ang 12 in Raag Gauree Poorbee Deepkee as the opening shabad of Kirtan Sohila, this shabad lifts the raag's contemplation of mortality into something luminous. Sikh Rehat Maryada prescribes its recitation at the cremation pyre and names it the night prayer, and it turns the most feared moment into a homecoming and a wedding — a fitting close to a reading sequence that began with the weight of awe and ends with fearless song.
The opening shabad of Kirtan Sohila: sing the praises of the Fearless One, for the call home comes to every heart — and death, seen rightly, is a wedding day.
The Arc
Pauri 0 names the gathered Sangat as the true home — where praises are sung, join in and remember. The Rahao (Pauri 1) calls for singing the Fearless One, giving the self to the song that brings unending peace. Pauri 2 praises the Great Giver who cares for every being daily, with gifts beyond price. Pauri 3 reframes death as a wedding whose date is already set, asking friends for blessings. Pauri 4 closes with the summons going out to every home and heart, a little nearer each day — so remember the One who calls.
Key Vocabulary
Themes and Cross-Connections
This shabad gathers the project's central notes for the moment of death: Sat Sangat as home, Bhau (the Fearless One whose song frees from all fear), the Giver, and the soul-bride whose 'wedding' is union with the Beloved. The oil poured over the threshold is wedding language in the verse, here marking the soul's departure as a marriage, not a tragedy — the heart of the project's gentle reframing of death.
For Raag Gauree
Recorded on Ang 12 in Raag Gauree Poorbee Deepkee as the opening shabad of Kirtan Sohila, this shabad lifts the raag's contemplation of mortality into something luminous. Sikh Rehat Maryada prescribes its recitation at the cremation pyre and names it the night prayer, and it turns the most feared moment into a homecoming and a wedding — a fitting close to a reading sequence that began with the weight of awe and ends with fearless song.