Remember the One — this alone is the work that is truly yours.
The Arc
The shabad opens the raag with the Mool Mantar and the rahau's steady call to remember the One and to release the grip of the passing show. From there it moves through perspective: wealth is a dream and empires are walls of sand. It closes on the body passing, moment by moment, yesterday and today alike — held not as dread but as a reason to love now.
Key Vocabulary
Raam simar — keep the One in mind. Maya — the passing, glittering surface of things, not evil but not lasting. Mithiaa / jhootho — unreal, dreamlike. Baaroo kee bheet — a wall of sand. Chhin chhin — moment by moment. Gaat — the body.
Themes and Cross-Connections
Impermanence as a teacher of tenderness runs through all four shabads of this raag; the sand-wall and the melting moment are its gentlest images. The rahau's raam simar is the project's reading of Naam — the living presence of the One held in awareness. The Mool Mantar here grounds the smallest raag in the same seed-statement that opens the whole Guru Granth Sahib.
For Raag Jaijaavantee
Jaijaavantee is the smallest raag, four hymns all by the Ninth Master. As its opener, this shabad sets the raag's whole mood: brief life, steady remembrance, the undying One beneath the passing show.
Translation Notes
This shabad physically opens in the closing-sections folder rather than the Jaijaavantee folder; it is nonetheless the raag's true first hymn. Binas jaihai tayro gaat (your body will pass) is rendered comfort-forward — keeping the teaching that life is brief and precious while turning any fear toward love and remembrance.
Remember the One — this alone is the work that is truly yours.
The Arc
The shabad opens the raag with the Mool Mantar and the rahau's steady call to remember the One and to release the grip of the passing show. From there it moves through perspective: wealth is a dream and empires are walls of sand. It closes on the body passing, moment by moment, yesterday and today alike — held not as dread but as a reason to love now.
Key Vocabulary
Raam simar — keep the One in mind. Maya — the passing, glittering surface of things, not evil but not lasting. Mithiaa / jhootho — unreal, dreamlike. Baaroo kee bheet — a wall of sand. Chhin chhin — moment by moment. Gaat — the body.
Themes and Cross-Connections
Impermanence as a teacher of tenderness runs through all four shabads of this raag; the sand-wall and the melting moment are its gentlest images. The rahau's raam simar is the project's reading of Naam — the living presence of the One held in awareness. The Mool Mantar here grounds the smallest raag in the same seed-statement that opens the whole Guru Granth Sahib.
For Raag Jaijaavantee
Jaijaavantee is the smallest raag, four hymns all by the Ninth Master. As its opener, this shabad sets the raag's whole mood: brief life, steady remembrance, the undying One beneath the passing show.
Translation Notes
This shabad physically opens in the closing-sections folder rather than the Jaijaavantee folder; it is nonetheless the raag's true first hymn. Binas jaihai tayro gaat (your body will pass) is rendered comfort-forward — keeping the teaching that life is brief and precious while turning any fear toward love and remembrance.