As long as you sort the world into love and hate, me and them, closeness stays far — set down self-importance, and let harsh words pass like wind.
The Arc
A Du-Tukas (two-line stanzas). Pauri 0: while one clings to bhaa-o abhaa-o (attraction/aversion) and the me/other split, union stays distant. Rahau (Pauri 1): a prayer for the right want — to keep the company of the good and not forget them; the restless mind hasn't yet learned this. Pauri 2: the ego-free heart is untouched by sorrow; harsh words pass like wind. Pauri 3: come empty-handed into shelter; lift the whole weight.
Key Vocabulary
bhaa-o abhaa-o: attraction and aversion — the sorting habit
aap na thaapai: not 'setting up' the self — releasing ego
saakat: the one turned away from the Source — here, harsh words to let pass
deen saran: empty-handed refuge
laykhaa uthaa-ee: the account lifted / cancelled
Themes and Cross-Connections
This is Ik Onkar as practice: dividing everything into liked/disliked, mine/yours is the very habit that manufactures separation. Ego is treated as a disease to heal, not a crime, and the heart is protected without being hardened — harsh words move through like wind rather than lodging.
For Raag Sorath
Sorath's contentment shows as a heart no sorrow can grip, because it has set down the need to be important.
Translation Notes
Ray man mugadh (foolish mind) softened to 'restless, distracted mind'; urjhi-o sang bairaa-ee (entangled with enemies) read as inner pulls that harm, not people to fear. The saakat's 'babbling' handled as wisdom about letting words pass, without contempt for a person. Kot paraaDh achhaadi-o softened to 'clouded over.'
As long as you sort the world into love and hate, me and them, closeness stays far — set down self-importance, and let harsh words pass like wind.
The Arc
A Du-Tukas (two-line stanzas). Pauri 0: while one clings to bhaa-o abhaa-o (attraction/aversion) and the me/other split, union stays distant. Rahau (Pauri 1): a prayer for the right want — to keep the company of the good and not forget them; the restless mind hasn't yet learned this. Pauri 2: the ego-free heart is untouched by sorrow; harsh words pass like wind. Pauri 3: come empty-handed into shelter; lift the whole weight.
Key Vocabulary
Themes and Cross-Connections
This is Ik Onkar as practice: dividing everything into liked/disliked, mine/yours is the very habit that manufactures separation. Ego is treated as a disease to heal, not a crime, and the heart is protected without being hardened — harsh words move through like wind rather than lodging.
For Raag Sorath
Sorath's contentment shows as a heart no sorrow can grip, because it has set down the need to be important.
Translation Notes
Ray man mugadh (foolish mind) softened to 'restless, distracted mind'; urjhi-o sang bairaa-ee (entangled with enemies) read as inner pulls that harm, not people to fear. The saakat's 'babbling' handled as wisdom about letting words pass, without contempt for a person. Kot paraaDh achhaadi-o softened to 'clouded over.'