Tend your own inner home instead of watching others'; stop riding the seesaw of passing things; only one taste truly satisfies — and it is found in good company, where even the fear of ending melts away.
The Arc
Pauri 0 opens with a check on judgment: mind your own inner house before peering into others'. The Rahao (Pauri 1) names the trap — attach to things that come and go and you ride their seesaw forever; the same One gives both joy and pain, so the steady heart stays even. Pauri 2 asks what could be higher than har ras, the taste of the One — the only flavor that satisfies. Pauri 3 finds that One as the very life of the breath, with even praise a gift given. Pauri 4 closes in saadhsangat: the taste found in good company, the fear of ending gone.
Key Vocabulary
par ghar johan: watching others' houses — the judgment to set down
har ras: the taste/essence of the One — the only thing that truly satisfies
harakh / roveh: thrilled when things come, weeping when they go — the seesaw
pavanpat: master of the breath — the One as the life within the body
saadhsangat: the company of the good, where the taste is found
Themes and Cross-Connections
The shabad braids together several Sorath notes: contentment (only one taste fills you), equanimity through sahaj (the same One gives joy and pain, so stay steady), and sangat (good company as the place of finding). "Even praise is a gift" (jay too deh) is the project's grace-received-not-earned reading in miniature. The opening "mind your own house" is a quiet ethic against gossip and judgment.
For Raag Sorath
Sorath's contentment and settling are the through-line: the seesaw of craving gives way to the steady, satisfied heart that has tasted the one lasting thing.
Translation Notes
The literal uses "unfortunate wretch," "evil-mindedness," and "the fear of death" and "pre-ordained destiny." Per the voice rules these are softened: the abhaagaa to plain regret, durmat to "hard on themselves — still thirsty," death-fear kept gentle, and mastak bhaagaa rendered as "the blessing that was always written for you" (grace, not grim fate).
Tend your own inner home instead of watching others'; stop riding the seesaw of passing things; only one taste truly satisfies — and it is found in good company, where even the fear of ending melts away.
The Arc
Pauri 0 opens with a check on judgment: mind your own inner house before peering into others'. The Rahao (Pauri 1) names the trap — attach to things that come and go and you ride their seesaw forever; the same One gives both joy and pain, so the steady heart stays even. Pauri 2 asks what could be higher than har ras, the taste of the One — the only flavor that satisfies. Pauri 3 finds that One as the very life of the breath, with even praise a gift given. Pauri 4 closes in saadhsangat: the taste found in good company, the fear of ending gone.
Key Vocabulary
Themes and Cross-Connections
The shabad braids together several Sorath notes: contentment (only one taste fills you), equanimity through sahaj (the same One gives joy and pain, so stay steady), and sangat (good company as the place of finding). "Even praise is a gift" (jay too deh) is the project's grace-received-not-earned reading in miniature. The opening "mind your own house" is a quiet ethic against gossip and judgment.
For Raag Sorath
Sorath's contentment and settling are the through-line: the seesaw of craving gives way to the steady, satisfied heart that has tasted the one lasting thing.
Translation Notes
The literal uses "unfortunate wretch," "evil-mindedness," and "the fear of death" and "pre-ordained destiny." Per the voice rules these are softened: the abhaagaa to plain regret, durmat to "hard on themselves — still thirsty," death-fear kept gentle, and mastak bhaagaa rendered as "the blessing that was always written for you" (grace, not grim fate).
Last updated: 2026