The Name saves every world, and loving it lifts a whole family with you.
The Arc
This four-stanza shabad opens with the Name uplifting all realms, then turns to mercy that plants the Name in a willing heart (rahau), to love that saves not only oneself but one’s whole lineage, to a soft warning about a life lived turned away, and closes with the Creator who gives so that the Naam may be received.
Key Vocabulary
naamay udhray sabh lo-a — all realms are uplifted by the Name.
kirpaa / vadi-aa-ee — mercy, and the glory of the Name it bestows.
kul — lineage or family; love of the Name ripples across generations.
jam pur — literally the City of Death; softened in this rendering.
Themes and Cross-Connections
The family-ripple theme (kul udhaaranhaar) recurs in Shabad 24 (B00C2362). Grace preceding and enabling human openness is the shared spine of the whole set.
For Raag Bhairao
In a bright dawn raag, the mercy-pours-and-the-Name-grows movement lands as morning warmth rather than heat.
Translation Notes
Pauri3: the literal sends the manmukh to jam pur (the City of Death) to suffer beatings; the death-terror imagery is set aside and rendered as being lost and far from home, with the way back always open.
The Name saves every world, and loving it lifts a whole family with you.
The Arc
This four-stanza shabad opens with the Name uplifting all realms, then turns to mercy that plants the Name in a willing heart (rahau), to love that saves not only oneself but one’s whole lineage, to a soft warning about a life lived turned away, and closes with the Creator who gives so that the Naam may be received.
Key Vocabulary
Themes and Cross-Connections
The family-ripple theme (kul udhaaranhaar) recurs in Shabad 24 (B00C2362). Grace preceding and enabling human openness is the shared spine of the whole set.
For Raag Bhairao
In a bright dawn raag, the mercy-pours-and-the-Name-grows movement lands as morning warmth rather than heat.
Translation Notes
Pauri3: the literal sends the manmukh to jam pur (the City of Death) to suffer beatings; the death-terror imagery is set aside and rendered as being lost and far from home, with the way back always open.