Set down the weight of self, meet what comes as good, and the big fears shrink.
The Arc
The Rahau counsels continual remembrance and, in its comfort, quiets the dread around aging and endings — steadiness kept, terror set aside. The first verse names the real work: releasing self-conceit and receiving the treasure from the teacher, so the knot of coming-and-going loosens. The close is pure trust in the flow — whatever unfolds, met as good — and pride slipping away inside the care of the One who made the world.
Key Vocabulary
sadaa sadaa japee-ai: remember, always and always
jaraa maraa: aging and endings
aap ti-aag: releasing self-conceit
niDhaan: the treasure received from the Guru
jo tumH karahu so-ee bhal maan-o: whatever You do, I meet as good
sagal gumaan: all pride
Themes and Cross-Connections
Trust in the flow of existence as the loosening of both fear and pride; the treasure is given by the teacher, and the mark of the real is worn quietly.
For Raag Bilaaval
The raag's reassurance — endings met without dread, the self set down.
Translation Notes
SSK renders jaraa maraa dookh as the pains of old age and death and frames the dargeh hereafter in courtroom terms. Per this project's wellbeing rules the death-terror is set aside and the line bent toward comfort — the fears lose their sting — while the shabad's own promise that 'what lies ahead comes right' is kept.
Set down the weight of self, meet what comes as good, and the big fears shrink.
The Arc
The Rahau counsels continual remembrance and, in its comfort, quiets the dread around aging and endings — steadiness kept, terror set aside. The first verse names the real work: releasing self-conceit and receiving the treasure from the teacher, so the knot of coming-and-going loosens. The close is pure trust in the flow — whatever unfolds, met as good — and pride slipping away inside the care of the One who made the world.
Key Vocabulary
Themes and Cross-Connections
Trust in the flow of existence as the loosening of both fear and pride; the treasure is given by the teacher, and the mark of the real is worn quietly.
For Raag Bilaaval
The raag's reassurance — endings met without dread, the self set down.
Translation Notes
SSK renders jaraa maraa dookh as the pains of old age and death and frames the dargeh hereafter in courtroom terms. Per this project's wellbeing rules the death-terror is set aside and the line bent toward comfort — the fears lose their sting — while the shabad's own promise that 'what lies ahead comes right' is kept.
Last updated: 2026-07-08