Sit close to what is good, and you begin to carry its fragrance without even trying.
The Arc
Guru Ram Das opens with the image of sandalwood. A plain, scentless tree that grows beside sandalwood slowly takes on its perfume -- and so a heart that keeps good company is quietly changed. The Name is cool water for a thirsty mind and sweet fragrance for the whole life. Meeting the teaching turns an ordinary heart to gold; the treasure of love opens like a sea; and the more one sings, the hungrier the heart grows for more. Outer rituals cannot carry a heart weighed down by greed across the water, but keeping the One in mind clears the ego and lifts the heart to its highest home. The song closes with wonder: this whole world of colors and shapes is His, and we move the way His music moves us.
Key Vocabulary
chandan -- the sandalwood tree, whose scent spreads to whatever grows near it
hirad palaas -- two scentless plants, the castor-oil plant (hirad) and the flame-of-the-forest or dhak (palaas), plain trees with no fragrance of their own
satsangat -- the company of those who seek what is true
param pad -- the highest, most whole state
ratan padaarath -- the treasure of jewels, meaning the riches of the teaching
saakat -- a heart turned away from love, pictured as a plant drying in the sun
Themes and Cross-Connections
Transformation by good company; the Name as cool water and fragrance; a love that only deepens the more it is shared; the emptiness of ritual without love; and the closing vision of the whole world as one music that we move within.
For Raag Bilaaval
Bilaaval's bright, hopeful color fits a song about a plain tree becoming fragrant and an ordinary heart turning to gold.
Translation Notes
Prahlaad (Pauri 1) is kept simply as an example of one who was kept safe by love, not as a story of persecution. The saakat (Pauri 2) is rendered as a heart that has turned away and so dries out on its own -- the harm belongs to the turning-away, not to any person we should scorn. The listing of Shaastras, Vedas and Puraanas and the 'six rituals' (Pauri 6) is treated as a caution about formalism in every tradition, not a swipe at one.
Sit close to what is good, and you begin to carry its fragrance without even trying.
The Arc
Guru Ram Das opens with the image of sandalwood. A plain, scentless tree that grows beside sandalwood slowly takes on its perfume -- and so a heart that keeps good company is quietly changed. The Name is cool water for a thirsty mind and sweet fragrance for the whole life. Meeting the teaching turns an ordinary heart to gold; the treasure of love opens like a sea; and the more one sings, the hungrier the heart grows for more. Outer rituals cannot carry a heart weighed down by greed across the water, but keeping the One in mind clears the ego and lifts the heart to its highest home. The song closes with wonder: this whole world of colors and shapes is His, and we move the way His music moves us.
Key Vocabulary
Themes and Cross-Connections
Transformation by good company; the Name as cool water and fragrance; a love that only deepens the more it is shared; the emptiness of ritual without love; and the closing vision of the whole world as one music that we move within.
For Raag Bilaaval
Bilaaval's bright, hopeful color fits a song about a plain tree becoming fragrant and an ordinary heart turning to gold.
Translation Notes
Prahlaad (Pauri 1) is kept simply as an example of one who was kept safe by love, not as a story of persecution. The saakat (Pauri 2) is rendered as a heart that has turned away and so dries out on its own -- the harm belongs to the turning-away, not to any person we should scorn. The listing of Shaastras, Vedas and Puraanas and the 'six rituals' (Pauri 6) is treated as a caution about formalism in every tradition, not a swipe at one.