A partaal on the formless One. The rahau names the One with no shape or outline, boundlessly great, held in good company as a bright inner gift. The shabad then pictures the home filled with joy through song and the Guru's teaching, and closes taking shelter in the One who upholds all creation.
Key Vocabulary
roop na raykh — no form, no line; the formless One.
jit garihi... anand — the household filled with joy through praise.
sabh too too too — it is all You; the oneness spoken as glad repetition.
sarnaagatee — taking shelter.
Themes and Cross-Connections
The formless One (nirankar, roop na raykh) is a core Gurbani theme: the most real thing cannot be pictured. The all-is-You repetition (too too too) is the partaal's way of singing Ik Onkar, the oneness that is the only reality.
For Raag Kaanraa
Kaanraa's longing settles into the home here: praise makes an ordinary household a place of joy, and the formless One is both the world's support and the singer's shelter.
A home fills with joy when it fills with song.
The Arc
A partaal on the formless One. The rahau names the One with no shape or outline, boundlessly great, held in good company as a bright inner gift. The shabad then pictures the home filled with joy through song and the Guru's teaching, and closes taking shelter in the One who upholds all creation.
Key Vocabulary
Themes and Cross-Connections
The formless One (nirankar, roop na raykh) is a core Gurbani theme: the most real thing cannot be pictured. The all-is-You repetition (too too too) is the partaal's way of singing Ik Onkar, the oneness that is the only reality.
For Raag Kaanraa
Kaanraa's longing settles into the home here: praise makes an ordinary household a place of joy, and the formless One is both the world's support and the singer's shelter.