There is a wealth no thief can steal, a King who tends your smallest worry, and a hidden tenth door inside your own body that opens onto the One.
The Arc
Fifteen verses. Gather the unstealable wealth of the Name; the immaculate Creator-King who runs and resolves all; the body-village with its nine gates and hidden tenth; Hukam and the search within one's own home; the gentle stilling of the restless pulls; the One as the ender of fear and healer of the deep sickness; the banker who weighs every heart; and pride washed away so the oneness can shine.
Key Vocabulary
har dhan - the wealth of the Name, which cannot be stolen
kartaa purakh - the Creator-Being
dasam duaar - the tenth, hidden gate
Hukam - the flow of existence
haumai - the illusion of being a separate self
abhimaan - pride
Themes and Cross-Connections
The body as sacred geography (village, gates, palace) recurs across Nanak's Maaroo Solhe. The fear of death and the inner enemies are consistently disarmed rather than battled.
For Raag Maaroo
In the raag of mortality, Nanak names the One as the Destroyer of fear and the healer of the deep sickness, turning dread into a quiet homecoming inside the body itself.
Translation Notes
Seizes desire and anger by the necks and kills them (v6) is rendered as gently quieting the inner pulls, with ego treated as a fever to cool. Chews up death and cuts the noose of death (v10, v9) are rendered as freedom from the fear of death and as healing, per this project's care. Coming and going (v7) is rendered as restless wandering coming to rest, not a rebirth doctrine. No ancestry (v13) is foregrounded as equality. The nine and ten gates and the five sounds (cosmology) are rendered with wonder.
There is a wealth no thief can steal, a King who tends your smallest worry, and a hidden tenth door inside your own body that opens onto the One.
The Arc
Fifteen verses. Gather the unstealable wealth of the Name; the immaculate Creator-King who runs and resolves all; the body-village with its nine gates and hidden tenth; Hukam and the search within one's own home; the gentle stilling of the restless pulls; the One as the ender of fear and healer of the deep sickness; the banker who weighs every heart; and pride washed away so the oneness can shine.
Key Vocabulary
Themes and Cross-Connections
The body as sacred geography (village, gates, palace) recurs across Nanak's Maaroo Solhe. The fear of death and the inner enemies are consistently disarmed rather than battled.
For Raag Maaroo
In the raag of mortality, Nanak names the One as the Destroyer of fear and the healer of the deep sickness, turning dread into a quiet homecoming inside the body itself.
Translation Notes
Seizes desire and anger by the necks and kills them (v6) is rendered as gently quieting the inner pulls, with ego treated as a fever to cool. Chews up death and cuts the noose of death (v10, v9) are rendered as freedom from the fear of death and as healing, per this project's care. Coming and going (v7) is rendered as restless wandering coming to rest, not a rebirth doctrine. No ancestry (v13) is foregrounded as equality. The nine and ten gates and the five sounds (cosmology) are rendered with wonder.