Your own body is the temple where the Light already lives.
The Arc
The shabad names what is worth setting down — coveting, greed, ego, slander, anger — then points inward: the boundless One dwells in a hidden mansion, reached by a life matched to the Word. It teaches an even heart through pleasure and pain, names the Name as the day-and-night profit, and closes on the body itself as the temple, home of the infinite Light.
Key Vocabulary
par daaraa / par dhan — others' wealth; craving what is not ours.
mahal — the mansion where the One dwells, nearer than it sounds.
dukh sukh sam — meeting pleasure and pain with an even heart.
kaa-i-aa mahal mandar — the body as mansion, temple, home of the One.
Themes and Cross-Connections
The body-as-temple close is a recurring landmark across the raags (Peepaa, and elsewhere). Even-mindedness (sahj) links it to the tradition's picture of the unshaken Gurmukh.
For Raag Malaar
The indwelling One: the rain the raag longs for is already inside, kept in the temple of the body.
Translation Notes
par daaraa (others' wives) is rendered as craving what belongs to others, without gendered blame.
Your own body is the temple where the Light already lives.
The Arc
The shabad names what is worth setting down — coveting, greed, ego, slander, anger — then points inward: the boundless One dwells in a hidden mansion, reached by a life matched to the Word. It teaches an even heart through pleasure and pain, names the Name as the day-and-night profit, and closes on the body itself as the temple, home of the infinite Light.
Key Vocabulary
Themes and Cross-Connections
The body-as-temple close is a recurring landmark across the raags (Peepaa, and elsewhere). Even-mindedness (sahj) links it to the tradition's picture of the unshaken Gurmukh.
For Raag Malaar
The indwelling One: the rain the raag longs for is already inside, kept in the temple of the body.
Translation Notes
par daaraa (others' wives) is rendered as craving what belongs to others, without gendered blame.