Sikhism·Raag Raamkalee·Shabad 88
Verse 6 of 13

Costume After Costume

ਖਿਨ ਮਹਿ ਵੇਸ ਕਰਹਿ ਨਟੂਆ ਜਿਉ ਮੋਹ ਪਾਪ ਮਹਿ ਗਲਤੁ ਗਇਆ ॥
khin meh vays karahi natoo-aa ji-o moh paap meh galat ga-i-aa.
In an instant, you change into various costumes, like a juggler; you are entangled in emotional attachment and sin.
ਇਤ ਉਤ ਮਾਇਆ ਦੇਖਿ ਪਸਾਰੀ ਮੋਹ ਮਾਇਆ ਕੈ ਮਗਨੁ ਭਇਆ ॥੫॥
it ut maa-i-aa daykh pasaaree moh maa-i-aa kai magan bha-i-aa. ||5||
You gaze here and there upon the expanse of Maya; you are intoxicated with attachment to Maya. ||5||

Translation by Dr. Sant Singh Khalsa

In plain words

In a flash you change costumes, like an actor on a stage, tangled up in clinging and wrongdoing.

You gaze here and there at the wide spread of Maya, the glittering world, and you are dizzy with wanting it.

Chasing every shiny thing can leave you always changing masks, never yourself.
The deeper layer

Chasing every shiny thing turns a life into one costume change after another.

Vays karahi natoo-aa ji-o — changing costumes like a natua, a stage performer, who is a king one minute and a beggar the next. Moh is attachment, holding on too tight, and paap is wrongdoing. Maa-i-aa is the glittering, changing world of things. Magan bha-i-aa means absorbed, lost in it, like someone who forgets the time at the mall. The picture asks a quiet question: who are we under all the costumes?

A Question to Sit With

When do you feel most like yourself, and not a costume?

Translation by Dr. Sant Singh Khalsa·How we use AI

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