Beloved, Beloved — I cannot wait, until the One comes to live inside and the fire turns to song.
The Arc
The soul-bride's love-song. The rahau: patience gone, every lesser pleasure refused. The pauris trace the ache — the Beloved's name day and night, ornaments turned empty, a humble search for the way, a plea to be led into the saadh sangat. The final pauri is the arrival: grace comes, the One dwells within, and restless longing becomes a cool, singing peace as the unstruck melody sounds.
Key Vocabulary
maai — mother; the trusted confidante the heart pours out to.
biraag — a loving restlessness; longing that cannot sit still.
Priya — Beloved; the divine as the one the soul loves.
naam simran — loving remembrance; here, the Beloved's name rising on its own.
seetal — coolness, the peace that follows union.
anaahad shabad — the unstruck melody heard within when separation quiets.
Themes and Cross-Connections
The soul-bride longing recurs across Gurbani as the shape of single-hearted love, and the anaahad shabad appears as the inner music of a heart at rest in the One.
For Raag Saarang
Saarang's thirst here wears the face of a lover's longing — and it resolves in the unstruck melody, pure inner music, fitting for a raag.
Translation Notes
The bride-and-Beloved imagery is kept tender and universal — the soul longing for the One — and "poison" for the ornaments is rendered as lifeless and empty rather than harmful.
Beloved, Beloved — I cannot wait, until the One comes to live inside and the fire turns to song.
The Arc
The soul-bride's love-song. The rahau: patience gone, every lesser pleasure refused. The pauris trace the ache — the Beloved's name day and night, ornaments turned empty, a humble search for the way, a plea to be led into the saadh sangat. The final pauri is the arrival: grace comes, the One dwells within, and restless longing becomes a cool, singing peace as the unstruck melody sounds.
Key Vocabulary
Themes and Cross-Connections
The soul-bride longing recurs across Gurbani as the shape of single-hearted love, and the anaahad shabad appears as the inner music of a heart at rest in the One.
For Raag Saarang
Saarang's thirst here wears the face of a lover's longing — and it resolves in the unstruck melody, pure inner music, fitting for a raag.
Translation Notes
The bride-and-Beloved imagery is kept tender and universal — the soul longing for the One — and "poison" for the ornaments is rendered as lifeless and empty rather than harmful.