"Everyone longs for the sight; only the pull of appearances hides it."
The Arc
Five verses tracing longing, distraction, and return. P0 (rahaao merged with verse one) names the universal ache to see the One, and the enchantment that pulls attention away. P1 personifies that pull as a force that severs us from love; P2 shows the wandering it causes; P3 turns the lens inward with a clear teaching on owning one's own choices; P4 closes by addressing a friend — the wandering ends near the good.
Key Vocabulary
darsan kau lochai — "everyone longs for the sight."
mahaa mohnee — the great enchantress; the pull of appearances (Maya).
bharmaa-ee — made to wander.
kirat — the momentum of one's own deeds.
charan saran — the refuge of the feet.
Themes and Cross-Connections
P3 is a crisp statement of moral agency: kis dos na deejai — blame no one else. Read with the project's care, this is empowerment, not self-blame; it distinguishes what is ours to own from what is done to us.
Translation Notes
P1's kasaa-ee (butcher) — the original's most graphic image for the separating force of Maya — is set aside per the wellbeing rules; the honest naming of "what pulls you from love" is retained. P0's "path of sin" is softened to being pulled off the thread of one's true longing.
For Raag Soohee
The whole shabad is built on bichhohaa, separation from the Beloved — the beating heart of Soohee, the raag of longing.
"Everyone longs for the sight; only the pull of appearances hides it."
The Arc
Five verses tracing longing, distraction, and return. P0 (rahaao merged with verse one) names the universal ache to see the One, and the enchantment that pulls attention away. P1 personifies that pull as a force that severs us from love; P2 shows the wandering it causes; P3 turns the lens inward with a clear teaching on owning one's own choices; P4 closes by addressing a friend — the wandering ends near the good.
Key Vocabulary
Themes and Cross-Connections
P3 is a crisp statement of moral agency: kis dos na deejai — blame no one else. Read with the project's care, this is empowerment, not self-blame; it distinguishes what is ours to own from what is done to us.
Translation Notes
P1's kasaa-ee (butcher) — the original's most graphic image for the separating force of Maya — is set aside per the wellbeing rules; the honest naming of "what pulls you from love" is retained. P0's "path of sin" is softened to being pulled off the thread of one's true longing.
For Raag Soohee
The whole shabad is built on bichhohaa, separation from the Beloved — the beating heart of Soohee, the raag of longing.