The color of love is given, not earned — receive it and sing.
The Arc
Guru Amar Das on the heart colored in love. Pauri 0 (opening): the One is realized through the Word, met when the heart is ready; the awakened rest in a steady peace. Pauri 1 (Rahau): You yourself dye us in love — so sing, drop self-conceit, and the One comes to dwell within. Pauri 2: a heart that ignores the flow and forces its own way grows tight and out of tune. Pauri 3: those made for the song grow light through love, attention fixed on the Fearless One. Pauri 4: all of life and its ending rest in the One’s hands — how forget so great a Giver? Pauri 5: the same heart, turned from clouded to open, finds its home and merges. Pauri 6: a gentle sadness — a life spent not noticing the treasure near at hand. Pauri 7: hold the Name and a deep calm settles through body and mind; the One is boundless and unfathomable.
Key Vocabulary
sabday jaapdaa: realized through the Word (Shabad)
aapay rang charhaa-ay: the One itself dyes the heart in love
sadaa sahj: lasting natural ease
nirbha-o gur liv laag: attention fixed on the Fearless Guru
aprampar gunee gaheer: infinite, virtuous, unfathomably deep
Themes and Cross-Connections
Love as a gift-color, not an achievement; the Word making the One real; humility (dropping haumai) as the doorway; the vastness of the Giver; the freedom of the same heart to turn toward home.
For Raag Sorath
Sorath’s warm steadiness suits a hymn about being dyed in love and coming to rest.
Translation Notes
The Rahau is in Pauri 1 (the second file). Per the wellbeing and anti-gendered-blame rules, the kulkhanee kunaar (“ill-mannered, bitter bride”) of Pauri 2 is rendered as a tight, forcing state of a heart, not a person’s worth; sabhnaa maar jeevaaldaa (“kills and revives all”) is softened to holding life and its ending; kiaa muhu daysee jaa-ay (“how show her face when she departs”) is rendered as simple loss, not shame at death; manmukh mailee is “clouded,” not “filthy.” The soul-bride pronouns are kept inclusive.
The color of love is given, not earned — receive it and sing.
The Arc
Guru Amar Das on the heart colored in love. Pauri 0 (opening): the One is realized through the Word, met when the heart is ready; the awakened rest in a steady peace. Pauri 1 (Rahau): You yourself dye us in love — so sing, drop self-conceit, and the One comes to dwell within. Pauri 2: a heart that ignores the flow and forces its own way grows tight and out of tune. Pauri 3: those made for the song grow light through love, attention fixed on the Fearless One. Pauri 4: all of life and its ending rest in the One’s hands — how forget so great a Giver? Pauri 5: the same heart, turned from clouded to open, finds its home and merges. Pauri 6: a gentle sadness — a life spent not noticing the treasure near at hand. Pauri 7: hold the Name and a deep calm settles through body and mind; the One is boundless and unfathomable.
Key Vocabulary
Themes and Cross-Connections
Love as a gift-color, not an achievement; the Word making the One real; humility (dropping haumai) as the doorway; the vastness of the Giver; the freedom of the same heart to turn toward home.
For Raag Sorath
Sorath’s warm steadiness suits a hymn about being dyed in love and coming to rest.
Translation Notes
The Rahau is in Pauri 1 (the second file). Per the wellbeing and anti-gendered-blame rules, the kulkhanee kunaar (“ill-mannered, bitter bride”) of Pauri 2 is rendered as a tight, forcing state of a heart, not a person’s worth; sabhnaa maar jeevaaldaa (“kills and revives all”) is softened to holding life and its ending; kiaa muhu daysee jaa-ay (“how show her face when she departs”) is rendered as simple loss, not shame at death; manmukh mailee is “clouded,” not “filthy.” The soul-bride pronouns are kept inclusive.